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Tiki Brian’s Vinyl Record Collection

Chango And The Polynesians – Polynesian Percussion

Chango And The Polynesians – Polynesian Percussion
Chango And The Polynesians – Polynesian Percussion
Chango And The Polynesians – Polynesian Percussion

Label: Directional Sound – DS 5012
Format: Vinyl, LP, Stereo
Country: US
Released: 1962
Genre: Jazz, Folk, World, & Country
Style: Pacific, Hawaiian

Tracklist:

  • Marcelle A Havine3
  • Tamure
  • Minoi, Minoi
  • Vana Vana
  • Tahitian Festival
  • Tanga Tika
  • Papio
  • Wavine Anamite
  • Cafe Au Lait
  • Maruru A Vaw

Notes:

Released in 1962, Chango And The Polynesians’ album Polynesian Percussion is a vibrant exploration of Polynesian musical traditions, infused with rhythmic energy and exotic instrumentation. The album was produced under the Directional Sound label and features a collection of tracks that showcase the percussive heartbeat of Polynesian music. With a blend of wooden drums, metal percussion, and traditional Polynesian counterparts to bongos, the record captures the essence of island rhythms in a way that is both immersive and celebratory.

The tracklist includes pieces such as Marcelle A Havine, Tamure, and Tahitian Festival, each offering a unique glimpse into the musical landscape of the Pacific Islands. The arrangements, overseen by executive producer Sam Suliman, emphasize the dynamic interplay between melody and percussion, creating a soundscape that transports listeners to a tropical paradise. The album was mastered at Madison Sound Studios, ensuring a high-quality listening experience that highlights the intricate details of each composition.

Beyond its musical appeal, Polynesian Percussion serves as a cultural artifact, reflecting the fascination with exotica music that was prevalent in the early 1960s. The liner notes, written by Bob Freedman, provide context for the album’s creation and its place within the broader exotica movement. This genre, which sought to evoke distant lands through sound, found a dedicated audience among those yearning for escapism and adventure. The album’s cover design further reinforces this theme, featuring imagery that complements its sonic journey.

While Polynesian Percussion may not be as widely recognized as some other exotica albums, it remains a noteworthy contribution to the genre. Its combination of authentic Polynesian rhythms and Western production techniques makes it a compelling listen for enthusiasts of world music and vintage recordings. Whether experienced as a nostalgic throwback or a fresh discovery, the album continues to resonate with those who appreciate the artistry of percussion-driven compositions.

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