Tracklist:

• Tamure (Enjoy Yourself)
• Kiri Kiri (Ticklet Ticklet)
• Vini Vini (Little Bird)
• Ai’A Here (Beloved Island)
• Aue Ua Reka (Let’s Have Fun)
• Te Hora (The Hour)
• Himene No Te Tamai (Tahitian War Chant)
• Fare Niau (Grass Shack)
• Taue Here (My Love)
• Aue Aue (Oh! Oh!)
• Vainui (The Big River)
• Umete (The Bowl)

Notes:

Released in 1964, Tamure! Tahiti! is a lively and authentic representation of Tahitian music, featuring Charles Mauu, His Coconut Uke, and Roche’s Tahitians. The album captures the vibrant energy of traditional Polynesian dance music, particularly the tamure, a fast-paced and rhythmic style that embodies the spirit of Tahiti. With its infectious melodies and dynamic percussion, the record transports listeners to the islands, offering a glimpse into the rich musical heritage of the region.

The album’s tracklist includes well-known Tahitian songs such as Tamure (Enjoy Yourself), Vini Vini (Little Bird), and Himene No Te Tamai (Tahitian War Chant), each showcasing the interplay between rhythmic ukulele strumming and powerful drumming. Charles Mauu’s distinctive vocal delivery adds a layer of authenticity, while Roche’s Tahitians provide instrumental depth, blending traditional Polynesian sounds with a touch of Western influence. The result is a collection of songs that are both celebratory and deeply rooted in cultural tradition.

One of the standout elements of  Tamure! Tahiti!  is its ability to capture the essence of Tahitian dance music, making it a favorite among enthusiasts of Polynesian sounds. The album was released under Dot Records, a label known for bringing international music to a broader audience. Its production quality ensures that the raw energy of the performances remains intact, allowing listeners to experience the lively atmosphere of Tahitian celebrations. The combination of rhythmic complexity and melodic charm makes this album a compelling listen for those interested in world music.

Beyond its musical appeal, Tamure! Tahiti! serves as a cultural artifact, preserving the sounds and traditions of mid-century Tahiti. It reflects the growing interest in Polynesian music during the 1960s, a time when exotica and island-themed recordings gained popularity. Whether enjoyed as a dance album or as a historical document, this record remains a testament to the enduring allure of Tahitian music and the artistry of Charles Mauu and Roche’s Tahitians.